“Elon Musk doesn’t own the Super Bowl—and he sure as hell doesn’t own Bad Bunny.”
With that blistering opening line, Jimmy Kimmel didn’t just earn laughs — he lit a fuse. The late-night host’s words echoed across social media this week after he took aim at Elon Musk’s latest public tantrum: a threat to pull sponsorships from the NFL if the league keeps Puerto Rican superstar Bad Bunny as the headliner for the 2026 Super Bowl Halftime Show.

What started as a corporate power play quickly became a cultural showdown — and Kimmel wasn’t about to stay silent.
The Billionaire’s Ultimatum
According to multiple reports, Musk — whose companies advertise heavily during NFL broadcasts — allegedly told associates he would “reconsider future partnerships” if the league went forward with Bad Bunny as its halftime act.
The claim sent shockwaves through the sports and entertainment worlds. After all, the Super Bowl halftime show isn’t just another gig — it’s the most-watched musical event on Earth, with an audience north of 100 million. For a single individual, even one as influential as Musk, to threaten that stage was seen as both audacious and absurd.
While Musk hasn’t formally confirmed the threat, his social-media posts have only poured fuel on the fire. On X (formerly Twitter), he reposted criticism of Bad Bunny’s performance style and lyrics, calling it “an embarrassment to American culture.” That alone was enough to ignite a backlash — and set up Kimmel’s monologue for viral status.
Kimmel Fires Back
On Jimmy Kimmel Live!, the host delivered what many are calling one of his sharpest takedowns in years.
“He doesn’t own the Super Bowl,” Kimmel said, pacing the stage. “And he sure as hell doesn’t own Bad Bunny. The guy built electric cars and rockets — great — but that doesn’t mean he gets to decide who sings at halftime.”
The crowd roared. But Kimmel wasn’t done. He jabbed at Musk’s critics, many of whom had proposed replacing Bad Bunny with 82-year-old country singer Lee Greenwood, best known for his patriotic hit “God Bless the USA.”
“Besides that one song, name a second Lee Greenwood track,” Kimmel deadpanned. “I’ll wait.”
The line instantly went viral — a pointed reminder of how absurdly politicized the halftime debate had become.
Culture Wars on the 50-Yard Line
What’s fueling the uproar isn’t just celebrity drama. It’s a deeper conversation about who gets to represent America on its biggest stage.
Bad Bunny, whose performances blend Spanish lyrics, Latin beats, and gender-fluid aesthetics, has become a symbol of a more global, inclusive generation. His 2025 Most Wanted Tour sold out in hours, and he’s been hailed as one of the world’s most influential artists.

But to some, that visibility is threatening. Conservative commentators online accused the NFL of “cultural pandering” and claimed Bad Bunny “doesn’t represent American values.”
Kimmel flipped that argument on its head: “Maybe America isn’t just one thing anymore,” he said. “Maybe that’s what drives these guys crazy — that a kid from Puerto Rico can headline the most American event there is.”
The League Holds Its Ground
Despite the controversy, the NFL has stood firm. In a short statement, the league reaffirmed its partnership with Bad Bunny and said the 2026 halftime show will proceed as planned. Sponsors, for the most part, have stayed quiet — none publicly endorsing Musk’s position.
Marketing analysts note that the league is unlikely to bow to outside pressure. The halftime show’s appeal, they argue, depends on its ability to mirror the cultural pulse — not a billionaire’s personal taste. “If anything,” said one industry expert, “this controversy makes Bad Bunny’s performance even more anticipated.”
Bad Bunny’s Response
While Bad Bunny hasn’t directly addressed Musk’s comments, fans were quick to resurface a now-iconic moment from Saturday Night Live, where the artist opened his monologue in Spanish, then smirked and said:
“If you didn’t understand that, you have four months to learn.”
It was a subtle but unmistakable statement of confidence — and cultural pride.
More Than a Feud
Kimmel’s monologue and Musk’s reaction have become more than just late-night fodder. They’ve crystallized a growing tension between corporate power and cultural freedom — a tug-of-war over who gets to shape America’s pop landscape.
As Kimmel concluded his segment, he summed it up with his signature blend of humor and defiance:
“Bad Bunny earned that stage. He worked for it. If Elon wants to headline the halftime show, he can buy a microphone — but the beat? That’s not his to own.”
The audience erupted in applause.
And just like that, what began as a billionaire’s threat turned into a cultural moment — one that reminded America that art, music, and identity can’t be bought.
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